Date Born/ Age:B

Length:1

Weight:7

Favorite Food: H

Family: 1 

Genus:L

Species: H

Place of Origin: P

Habitat: S

Favorite Movie: E

Favorite TV Show: T

Favorite Dinosaur: D

Favorite Sport: B

Exercise: P

Hobbies: H

Distinguishing Features: S

Students? Pay Attention! Be sure to check out that is to say, investigate, (humph), certain other useful pieces of terminology at the 7V-WOW Archives.

Biographical Notes
William Stout was born in Salt Lake City, Utah on the way to Los Angeles in 1949. At seventeen he won a full California State Scholarship to the Chouinard Art Institute (California Institute of the Arts) where he obtained his Bachelor's Degree.

Stout began his professional career in 1968 with the first issue cover of the pulp magazine Coven 13.  In 1971 he began to assist Russ Manning on the "Tarzan of the Apes" Sunday & daily newspaper comic strips and Eisner Award-winning graphic novels. Stout joined Harvey Kurtzman and Will Elder on Playboy's  "Little Annie Fanny" in 1972. In 1973   Stout began his relationship with the Firesign Theatre and gained international notoriety for his 45 rock 'n' roll "bootleg" record album covers.

From 1976 to 1977 Stout was art director for the rock magazine Bomp!  1977 also saw Stout's first movie poster, "WIZARDS." Stout ultimately worked on
the advertising for over 120 films. His first one man show, "The Prehistoric World of William Stout", was in 1977. He also was one of the first American contributors to "Heavy Metal" magazine.

"Buck Rogers" and 1978 saw the beginning of Stout's film career. Stout worked on nearly 30 feature films including the "Conan" films, "First Blood", "The Hitcher" and "Invaders From Mars". "Return of the Living Dead" made Stout the youngest production designer in film history. Stout wrote "The Warrior and the Sorceress" for Roger Corman and a dinosaur feature for Jim Henson. He production designed "Masters of the Universe" and was conceptual designer in 1990 for John McTiernan's "A Princess of Mars" film project. In 1995 William Stout became the key character designer for the Walt Disney full length computer animated feature "Dinosaur" (scheduled for release Memorial Day, 2000). He helped to design "Edgar", the key alien in "Men In Black", for ILM in 1996.

In 1981 Bantam Books published Stout's landmark masterwork THE DINOSAURS-A Fantastic New View of a Lost Era. This book was followed by Ray Bradbury's Dinosaur Tales and The Little Blue Brontosaurus (recipient of the 1984 Children's Choice Award and the basis for Lucas and Spielberg's "The Land Before Time").

As a result of his work in paleontological reconstruction, 11 Stout paintings were selected for inclusion in the traveling exhibition "Dinosaurs Past and Present".  This important group show depicted the history of paleoart. The exhibition broke all attendance records at each of its host museums. The six year tour included (among others) the British Museum, the Royal Ontario Museum, and the American Museum of Natural History. At the Smithsonian alone, over two million visitors saw this exhibition.

Stout worked for Walt Disney Imagineering for a year and a half as a conceptualist, designer, producer and planner for EuroDisneyland, Disneyland, TokyoDisneyland and Walt Disney World. After leaving Disney Stout continued themed entertainment conceptual design work, contributing ideas and designs to a host of non-Disney (as well as Disney) projects. In
1989 he was hired by Lucasfilm/Industrial Light and Magic as conceptualist and chief designer for their first foray into themed entertainment centers. In 1991 Stout conceived and designed Z Z Top's "Recycler" tour.

Stout undertook a voyage to Antarctica and Patagonia in January of 1989. The profound spectacle of the "last continent" changed his life, leading to a 45 painting one man show "Dinosaurs, Penguins and Whales-The Wildlife of Antarctica" . This exhibition began its tour of the world's natural history museums (Mikhail Gorbachev personally requested that the exhibition travel to Moscow) at the Natural History  Museum of Los Angeles County on January 19, 1991. This effort by Stout to alert and inform the public consciousness
as to the complex beauty of Antarctica and its past and present denizens, and to work as part of the international effort to make Antarctica the first World Park evolved into his current book project, LOST WORLD-Modern and Prehistoric Life in Antarctica. This book will be the public's first visual overview of life in Antarctica. For his pioneering work in this field, William Stout was doubly honored in August of 1991. He was chosen to be the guest banquet speaker at the International Conference on the Role of the Southern Ocean and Antarctica in Global Change (Marine Science Institute, University of California, Santa Barbara, August 28-31). Stout was also one of two people selected by the National Science Foundation to participate in their Antarctic Artists and Writers Program during the 1992-1993 austral summer.

Stout was based for three months at McMurdo Station and Palmer Station. He made several dives beneath the ice, climbed Mount Erebus, camped out in the dry valleys and produced over 100 paintings and studies during that time as he carefully observed the white continent's rich abundance of life. Upon his return he drove over a thousand miles through central southern Chile, documenting the rare prehistoric forests found down there for his book on Antarctic life. In May, 1993, at the invitation of the National Science Foundation, Stout participated in the Boulder, Colorado gathering of all of the previous recipients of the Antarctic Artists and Writers Program, the first such gathering in history.

April of 1993 saw the release of the "William Stout's Lost Worlds", the first of three trading card sets by Comic Images (to date, over 20 million William Stout trading cards have been sold). In the May/June issue of "Wildlife Art News", Stout became the first prehistoric wildlife painter to have a full color article devoted to his work.

Michael Crichton acknowledged Stout's work as an inspiration for his book Jurassic Park. In 1993, Universal Cartoon Studios chose William Stout to  design the prime time animated series of "Jurassic Park". That same year Stout was invited to become a member of the California Art Club, the oldest American art organization west of the Mississippi. A year later he became a member of their advisory board; he is currently a member of the executive board. Stout was unanimously voted the honor of being recognized as a C. A. C. Signature Member in 1997.

From November, 1993 until April, 1994 William Stout researched and painted two large murals for the Houston Museum of Natural Science. The murals depict "Life Before The Dinosaurs"; they debuted to the public May 15, 1994. In 1994 Stout continued to do theme park attraction creation and design for MCA/Universal's Islands of Adventure; he also illustrated a series of covers for the "Cadillacs and Dinosaurs" comic books.

In late 1995, Steven Spielberg chose Stout as his senior concept designer for GameWorks, a Sega, Universal and DreamWorks SKG joint project. For two years Stout and his team oversaw the concepts, design, and execution of the first GameWorks facilities. In 1997 Stout collaborated with Jean "Moebius" Giraud on a new "Arzach" story for the 20th anniversary issue of "Heavy Metal", and with Will Eisner on their Harvey Award winning new "Spirit" series.

In late 1997/early 1998 Stout completed three Cretaceous murals and supervised two full-sized dinosaur sculptures for Walt Disney's Animal Kingdom. Stout began work in November, 1998 as the lead designer for the Wonderful World of Oz theme park due to open in Kansas in May, 2002 and concurrently in 1999 as a designer for the Michael Jackson NeverLand theme parks and a Dinotopia theme park for Toronto. The uckenthaler Cultural Center in Fullerton, CA hosted his 55 painting one man show "Dinosaurs, Penguins & Whales: William Stout's Antarctica" in October/November of 1999.

William Stout currently resides in Pasadena, California with his wife and two sons.
 
 
 

My current projects include:
* the release of the Walt Disney film "Dinosaur" this Memorial Day. I worked as a key part of the design team creating the main characters for the film.
* the design of a live Harry Potter stage show for Universal Studios
* I've just had the first of a series of high quality limited edition art prints published by Artworks Fine Art Publishing here in Pasadena (the prints can be viewed on their website: www/fineartpublishing.com).
* the April publication of DINOSAURS! The Biggest, Baddest, Strangest,Fastest; this book features several of my recent dinosaur paintings.
* the republication in November of my 1981 book THE DINOSAURS: A Fantastic New View Of A Lost Era, enhanced with the addition of 32 new pages.
* work on a massive full color coffee table book overview of my career; scheduled for publication August, 2001.
* William Stout - 50 Convention Sketches Volume 7.
* the continued work on my book depicting the history of life in Antarctica.
* the illustrations for Dirty Rotten Scoundrel, a book by and about the romantic and sensual exploits of my writing partner, Gregg Martin.
* the development of my (and Gregg's) Antarctic thriller screenplay "ICE" as a  continuing comic book series.
* the organization of a traveling one man show of the final paintings to support the Antarctica book upon its publication.
* the publication of an illustrated checklist of my movie advertising (I've worked on over 100 film campaigns).
* an illustrated checklist of my published work in the 1990's.
* completing the translation of and illustrations for Pablo Neruda's Stones of  the Sky.
* further work on a biography and bibliography on the English children's illustrator Harry Rountree.
* completion of my designs for the Wonderful World of Oz Theme Park, scheduled to open in Kansas May 2002.
* The first three poems for a children's book project of mine, The Dinosaur Parade, appeared in the first issue of the Frank Frazetta Fantasy Magazine  .  I plan more work on that book.
* Shortly I plan to publish the first in a series of books on my motion picture storyboard art.

WRITER (WGAw)
EVE  (ICE )- 1997
Story and Screenplay (w/Gregg Martin)
The 8th Voyage of Sinbad - Return to Colossa - 1994
Story (w/Ray Harryhausen)
Screen Treatment
The Natural History Project - 1986 
d. Jim Henson WarnerBros., Story and Screenplay
Spawn of the Dead - 1985
Story and Screenplay
Conan and the Eye of Death - 1983
Story and Screenplay (Adapted from stories by Robert E. Howard)
Galaxy of Terror - 1981 
d. B. D. Clark,  New World Outline
Time Gate - 1979 
d. John Broderick, Story and screenplay
The Warrior and The Sorceress - 1978 
d. John Broderick New World \, Story and Screenplay

OTHER FEATURE FILM WORK
Dinosaur - 2000
d. Eric Leighton &  Walt Disney
Main character design   (1995 - 1996),  Ralph Zondag
Men In Black - 1997                                                  d.Barry Sonnenfeld,   Amblin'/Columbia
"Edgar" design (uncredited)
Captain Blood - 1995 
d. Chuck Russell
Presentation art and designs
This Present Darkness - 1992                             d. Chuck Russell
Presentation art and designs
Rambling Rose - 1991                                              d. Martha Coolidge    Carolco Prop designs (uncredited)
Leviathan - 1987
d. George Cosmatos       D. E. G.
Creature designs (uncredited)
Masters Of the Universe - 1986-1987
d. Gary Goddard  Cannon Films
Costume designs (uncredited)
Date With An Angel - 1985 
d. Tom McLaughlin D. E. G.
Angel designs (uncredited)
House - 1985
d. Steve Miner    New World. Prop designs
Predator - 1985
d. John McTiernan    20th Century Fox
Creature designs (uncredited)
Invaders From Mars - 1985 
d. Tobe HooperCannon Films
Martian production design  & creature designs
Red Sonja - 1985 
d Richard Fleischer    Universal (DeLaurentiis)
Creature designs (uncredited)
The Hitcher - 1985                                                  d. Robert Harmon    HBO Theatrical
Storyboards and production illustration
The Return of the Living Dead - 1984 
d. Dan O'Bannon
Orion/Hemdale
Principal corpse designer; Extra
Clan of the Cave Bear - 1984 
d. Michael Chapman   Warner Bros.
Presentation art, concept art, set design (uncredited)
Dune - 1983
d. David Lynch Universal (DeLaurentiis)
Character voice actor (uncredited)
Conan the Destroyer - 1983 
d. Richard Fleischer       Universal (DeLaurentiis)
Concept art and design (With Pierluigi Basile as mentor, Stout & Basile  production designed the film)
Monster in the Closet - 1981 
d. Bob Dahlinm Trauma
Creature designs
First Blood - 981                                                       d. Ted Kotcheff        Carolco
Storyboards
Raiders of the Lost Ark - 1980 
d. Steven Spielberg  Paramount
Storyboards (uncredited)
Conan the Barbarian - 1979-1980 
d. John Milius
Universal (DeLaurentiis)
Concept art, design, costumes and storyboards
Nine Princes of Amber - 1979                                d. Robert K. Weiss
Presentation art and concept design
The Warrior and The Sorceress - 1978             d. John Broderick      New World
Concept design
Buck Rogers in the 25th Century - 1978
d. Daniel Haller
Universal
Concept art & design
Everything You Know Is Wrong - 1975 
d. Phil Austin  Firesign
Theatre
Graphics, prop designs; Party scene extra

DESIGNER
Emerald City Airships - 1998 
d. Gary Goddard
Landmark Entertainment
Production designer for this theme park simulator ride and its film. 
Jurassic Park - 1993    Universal Cartoon Studios
Production designer of trailer for proposed prime time animated series.
Journey To The 4th Dimension - 1989     Harper Films/Landmark Designer for this 3D computer generated animated theme park short. Entertainment Group
Look Out For Number One - 1979
Production designer for this animated short made to promote inner city kids'    U. S. Dept. of Health,      condom use. Selected for presentation at Filmex.     Education and Welfare

PRODUCTION DESIGNER
Jurassic Park - 1993    Universal Cartoon Studios
Proposed prime time animated series.
Dink The Little Dinosaur - 1990 Ruby Spears
Designed 12 "Factasaurus" bumpers for this Saturday  morning animated series; also painted background and titles.

OTHER TELEVISION WORK
Father Dowling Mysteries - 1991
Stout art exhibition used as part of natural history  museum backdrop atmosphere
Dino Riders - 1988      Marvel Animation Studios
Dinosaur re-designer and accuracy consultant
The Dinosaurs - A Fantastic New View Of A Lost Era - 1982       Hanna Barbera
Presentation art for proposed series based upon Stout book 
Lennox Weather Units - 1972 
Spungbuggy Works Key designer on four 60 second animated ad spots

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